Davidson's Plum
       
     
Daintree Fan Palms
       
     
Pines
       
     
Midnight Rage
       
     
Estuary
       
     
still life in the manner of De Heem
       
     
       
     
'Centering' a response to 'Prayers of a mother'
       
     
helicopter ride
       
     
Post-It project
       
     
ink painting 2
       
     
Flood
       
     
Screenshot of library2009.png
       
     
Davidson's Plum
       
     
Davidson's Plum

ink, watercolour on Arches paper 102 x76 cm, 2022

Daintree Fan Palms
       
     
Daintree Fan Palms

ink, watercolour on Arches paper 102 x76 cm, 2022

Pines
       
     
Pines

ink, watercolour on Arches paper 102 x76 cm, 2022

Midnight Rage
       
     
Midnight Rage

ink, watercolour on Arches paper 76 x76 cm, 2022

Estuary
       
     
Estuary

ink, watercolour on Arches paper 76 x76 cm, 2022

still life in the manner of De Heem
       
     
still life in the manner of De Heem

screen shot from video, 2017

       
     
In The Manner Of de Heem (excerpt)

Single channel 4K video 2:00/ 3:50 minutes, 2017

Music: Philip Glass

This video considers the sustainability of my art practice in terms of material use, which is mainly paper. A pair of rotating ceramic Australian river gums highlights the death of trees to produce paper.

The passage of time is captured by morning light moving across the still life arrangement.This still life contains contemporary and cross cultural references, as well as objects and compositions favoured by Golden Age Dutch painter Jan Davidsz de Heem.

Still: National Still Life Award Salon Exhibition, Sawtell Art Gallery 2017

'Centering' a response to 'Prayers of a mother'
       
     
'Centering' a response to 'Prayers of a mother'

‘Centering’ 2012

Kate Murphy’s ‘Prayers of a mother' expresses concerns of all mothers across the globe, from small villages in unheard of places to idyllic Australian suburbia. Coffs Harbour Regional Gallery invited 10 local artists to respond to her work.

My own mother's 'prayer/mantra' comes to me as a voice on the telephone. Time and distance have distilled this mantra into basic universal human needs, such as looking after oneself, eat good food, dress warmly in cold weather etc. With age, my mother’s concerns are repeated at each conversation, swirling around like the growth of petals in flowers.

My response in this work combines cultural reference of the lotus flower and contemporary reference to “buttons” in meditations (as in contemplating one’s navel), and centering of body and mind.

helicopter ride
       
     
helicopter ride

Chinese ink on Xuan paper

assemblage 90 x 135 cm 2003

Project at Side-on Gallery, Annandale, NSW

Post-It project
       
     
Post-It project

collaborative project by mail, 2006

ink painting 2
       
     
ink painting 2

Chinese ink and water colour on Arches paper

121 x 91 cm

Three Women Exhibition 2013

East West Gallery, Victoria

Flood
       
     
Flood

Chinese ink and water colour on Arches paper

121 x 91 cm

Finalist, Northern Exposure 2016 at Glasshouse Regional Gallery,

Port Macquarie, NSW

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