Gallery view
       
     
Screenshot 2019-03-02 17.18.34.png
       
     
gum blossoms
       
     
field 1
       
     
to be
       
     
wanderings 1
       
     
wanderings 2
       
     
wanderings 3
       
     
random rice
       
     
water 2
       
     
inklings triptych
       
     
offerings
       
     
Gallery view
       
     
Gallery view
Screenshot 2019-03-02 17.18.34.png
       
     
gum blossoms
       
     
gum blossoms

Chinese ink and water on Arches paper

300 x 56cm

field 1
       
     
field 1

Chinese ink and water on Arches paper

300 x 56cm

to be
       
     
to be

Chinese ink and water on Arches paper

300 x 56cm

wanderings 1
       
     
wanderings 1

Chinese ink and water on Arches paper on canvas

121 x 91 cm

Wanderings 1-5 are closely linked to my experiences of the environment where I reside - in particular heavy summer rain in the valley. Atmospheric moisture and abundance of water flow characterises this specific location.

Balancing the micro-cosmic with the macro-cosmic, I squirted, poured and splashed ink and water onto paper.

wanderings 2
       
     
wanderings 2

Chinese ink and water on Arches paper on canvas

121 x 91 cm

wanderings 3
       
     
wanderings 3

Chinese ink and water on Arches paper on canvas

121 x 91 cm

random rice
       
     
random rice

Chinese ink and water on Arches paper

300 x 113cm

water 2
       
     
water 2

Chinese ink and water on Arches paper

300 x 113cm

inklings triptych
       
     
inklings triptych

Chinese ink on Xuan paper on canvas

3 x 121 x 91.4cm

offerings
       
     
offerings

Chinese ink and water on Arches paper

Plastic raffia strings, 270 x 125cm (approx.)

‘Offerings’, (for a revered dead poet), a hanging installation, is the seed that grew this small body of work. I chose 300gsm Arches Aquarelle paper because I needed a paper thick enough to fold into containers that will also express ink tones and textures. Using two favourite Tang Dynasty poems written in ‘wild grass’ style Chinese calligraphy, folded in a traditional way, to form the 28 ‘rice ‘dumplings’ in the assemblage.